A Sunday afternoon at the Oakland Museum of Art isn’t quite like going to one of the big tourist destination museums in the Bay Area but it should be.
There is a current exhibition devoted to Ray and Charles Eames, the couple who invented Chairs,designed houses, invented splints and stretchers (in WWII), and made films. They have never left the never left the design landscape given how massive their influence has been.
The object on the left, of shaped plywood, was manufactured in the 1000s for the military during WWII. the object on the right is a spin off, a free form figure by Charles based on the splint.
In a Q&A posted on walls of the exhibit, Eames gives one sentence answers to a series of essay questions. Some take up the question of the splint:
The Eameses, designers by their own admission, remind us that they, like Picasso or Rembrandt, are useful and purposeful but in a more subtle way than an industrial, use-value oriented culture might appreciate. Art and great design affords pleasure. Pleasure is not only useful but essential. It is one of the two great “principles” described by Freud but we don’t need Sigmund to tell us what life without pleasure would be like. That is a purpose fulfilled by great design and great art alike. Design may also solve industrial problems, problems of commodity production and consumption, but at best, as here, it does more than that.
Consider the Eames chair:
A pricey item today, and a true classic, but also–is it not?–a source of pleasure. It fulfills the need for pleasure by the grace and beauty of its design even as it supports the human body in a seated position. (I confess: I have one. But only one.)
The exhibit includes several of the Eames’s films as well, including the famous Powers of Ten and Think. They built their films as ensembles, bits and pieces hanging together by the thread of an idea and the form retains its power and beauty to this day.
The exhibit is on for a few more months.