When will the Democratic Party wake up?

This is an open letter to the DNC (Democratic National Committee) about their failure to confront Trump effectively. I haven’t sent it yet and welcome feedback.

Putin makes his mark

Dear Democratic National Committee and Surrogates:

They say any publicity is good publicity and by that standard the DNC is doing a world of good for Donald Trump. Every fund request I get tells of another blunder or outrage, acts that do little to upset his base.

What I don’t hear is what the Democratic Party offers as an alternative. That means zero publicity for what really matters: a radically different vision for an America we can once again recognize as our own.

You lost the election, on multiple levels. Put your house in order and invite us in.

Address, at the very least:

Will you revitalize and pursue the Democratic platform devised at last year’s convention and use it as a building block to the future?

What will you do to return us to a Post-Enlightenment (17th century on) world that understands how science freed us from myth, superstition and folly? The Republicans have opted for a medieval system of belief that denies scientific evidence in favor of blind faith and willful ignorance. How will you make clear the difference, especially among those susceptible to a system the nurtures unverified claims and demagogic appeals?

When will you stop pretending the working class does not exist, or is populated with undesirables? Factory workers are not members of the middle class as President Obama seemed to believe. They earn wages not salaries and have much less security, just for a start. Saving the middle class, the sub-title of Elizabeth Warren’s new book, ignores those whose future stands in yet starker jeopardy. When will you speak to and for a core constituency you have overlooked and sometimes disdained?

How will you stop corporations and rich individuals for shirking their responsibility to pay taxes? We may have a high corporate tax rate but it is a fiction, obviously so when companies like Apple can shelter vast amounts of profit in foreign nations, untaxed.

When can Medicare be gradually extended downward to become a universal health care system?  How will you handle the vested, private interests that turn health into a profit center?

How can we acknowledge the difficult status quo of semi-legal and illegal immigrants and offer a path to citizenship as well as a well-coordinated plan to limit illegal entry in the future?

What tangible steps and new legislation will secure equal rights for all genders and sexual orientations as well as all ethnic and religious groups?

How will you acknowledge the fear, resentment and even hatred expressed by some whites who can no longer take their historical racial or gender privileges for granted? How can the sense of an all-inclusive American People can be restored?

What concrete steps do you propose to counter terrorism by building democratic institutions, especially in countries that lack democratic traditions?  What texts should be read in schools, what role can local and regional governments play, how can citizens make their voices heard and respected, when can tribal leaders and warlords have their power reduced?  Isn’t it time to step back from endorsing monarchs, oligarchs, patriarchs and illiberal ultra-nationalists who refuse to find a way to accommodate and respect minority groups of all kinds?  We say we want to bring democracy to others but more other bring little more than death and destruction. What will you do to change this?

Why do I not hear about action, real action, in these directions?

I can vote against someone, but I also want to ACT FOR something.

This are hard questions but without answers the Democratic Party will remain a party of the past.

 

Scenes from Budapest

i’m back in Budapest, teaching in the DocNomad program, a grad program where students spend the year going from Lisbon to Budapest to Brussels making docs along the way. It’s a great program.  And here are some impressions from the city where Orban’s rubber stampers just voted to close the Central European University, a great university too liberal, it seems, for Orban and his far right policies.

outside the Parliament Bldg where the right wing prevails

parliament with the protest.

The Grand Stairway, and Red carpet but it’s not the Reds who rule but the modern day Arrow Crossers

A mural inspired by Chagall outside a cafe named after him. There is still the charm to hide the lessons in darkness

And the oddities: Albanian Liver? I didn’t get to try it.

A provocative show of anti-totalitarian art from the Eastern bloc in the Soviet era.

Marina Abramowic doing her thing: all wrapped up and ready to go

Another part of the show

 

More protest. The large statue references Hungary’s occupation by Germany near the end of WW2 but the foreground items all denounce the soft pedaling of government collusion with the Nazis throughout the war, including, near the end, the Final Solution

Snowden the fiction film

We’ve had Citizenfour, the documentary film, and now Oliver Stone gives us the true story as a dramatic fiction.  Laura Poitras is there, as a character, filming Snowden in Hong Kong, and it is from this scene that we flashback over his life.  That concept works well; between his own recollections and what Laura draws out (which is everything of interest about his transition from gung ho CIA operative to whistle blower; the Guardian reporter and Glenn Greenwald are only interested in The Big Story, not in Snowden’s story), we get a well developed portrait of what it takes to induce repugnance and indignation in someone who wants to serve his country.

As far as I can make out, the only real justification for the surveillance is that the enema is everywhere, security is paramount, and secrecy is vital to security, hence spying on everyone all the time. That’s what Snowden’s CIA mentor tells us and it feels like a half-baked half-truth; in  other words, as Stone tells it the whole program is a fantasmatic effort to find needles in haystacks that could be better spent pursuing specific leads and launching counter-offensives.  There is no discussion of how to promote democracy or how to build democratic institutions  among our middle east “allies,” or how to rely on “good” Muslims to help feret out the bad, etc.  There is a “hide inside the fortress” mentality to the CIA and NSA that makes effective action almost inconceivable.

All in all, an excellent complement to Poitras’s portrait of Snowden and a film with more suspense than I would have imagined.

Frank Gehry’s Bilbao

This is truly an impressive work. After seeing Sydney Pollack’s doc on Gehry where they mainly interact and Gehry talks about his career, I came away more convinced than ever that it is one of the great architectural achievements of modern times. And Pollack is generous enough to give screen time to Hal Foster who plays the Blue Meanie: it’s just not that good, not that important, and if it were, it’d be too important because museums are about the art. He should have told that to Frank Lloyd Wright before he built the original Guggenheim with its insane spiral gallery that has proven a wonder ever since!

But enough on Meanies. What struck me is the balance and proportionality of it, and the intricacy of the surfaces that curve, bend, fold and refuse to obey the rectilinear dictates of most architecture. In fact, a vast number of columns, including staircases and elevator shafts as well as the more thematically inspired columns that soar upward from the central open space within, are freestanding: they do not begin at the ground level or end at the ceiling but usually do just one or the other, or neither. It gives the whole thing a lightness and giddiness that belies its monumental size.

And the curves seem to mimic the enormous gallery of Richard Serra’s great freestanding steel sculptures that also appear unanchored in any traditional sense. See this photo below of Gehry’s sculpted space and compare it to the permanent installation of Serra. It’s just one of the many ways in this museum is a true gem and will remain so for a long long time.

Bilbao 45

Bilbao Serra

Enemies and Citizens: Why Are the Police Out of Control?

Anyone who recalls the violent attacks on strikers by police in the 19th century or in the Depression era ’30s knows that they are not necessarily nice guys. But there is also an image of the “cop on the beat” who knows a neighborhood and the people in it. He’s part of the landscape and he’s there [till recently “he” was all there was] to preserve the peace, often by diplomatic, thoughtful, non-violent means.

That changed after the 1960s and changed dramatically after 9/11. The police became militarized. More police got their training in a military trained to go after insurgents who often acted like civilians. More police joined SWAT teams that used military-grade weapons and overwhelming force tactics to go after drug dealers and hostage takers even when violence was only made more likely by the use of SWAT teams in the first place.

Fewer police were “cops on the beat” who got out of their cars and armored vehicles to develop real relationships with citizens. Trained to deal with insurgents as enemies to be neutralized or destroyed, they quickly came to see citizens as an enemy rather than as neighbors and citizens to be served and protected. Especially citizens who have historically been typed as “dangerous”: young black men.

Every week we see more evidence of the racism that underlies the militarization of the police and of the military policies designed to deal with enemies–who almost always of a different ethnic and religious background from the still dominant white segment of our society–when they are brought to bear at home.

The solution doesn’t require bemoaning crazed, racist cops; it requires a change in training and a demilitarization of the police. The police is not the army or special forces or the CIA. And its members far too often think they are fighting against insurgents who are the black to their white in a black and white game of kill or be killed. it is little wonder that snipers–angered, irrational, infuriated citizens–now appear to counterattack the police. Escalation is in the air when what is needed is a radical change in training and tactics.

Modern Wonders and Distant Talks

Do you ever wonder where “here” is when we say an online talk is “here”? I gave a talk in Zuruch at Do It Again, a terrific conference on Reenactment in Documentary and that was “there,” in Zurich, but now it’s “here,” but it didn’t happen “here” and yet it does. Maybe that counts as a reenactment or at least as a repetition, but it’s not purely a repetition since it’s from a singular point of view, not a filmmaker’s, maybe, but the Conference’s, which chose where to place the cameras, what lenses to use, and when to cut, and so on so that this is in a way a reenacting of a talk from a distinct pov, even it is close to the zero degree style made famous by our French theorist friends.

The link to it is here: The website for the conference is http://www.zdok.ch and the direct link to my talk is https://www.zhdk.ch/109306.

You may enjoy the linkage in the talk between thumb sucking and reenactments.

Science, Fraud and Documentary

Tribeca film fest plans to show an anti-science, fact-denying hoax that actually costs lives. VAXXED, akin to Dinesh DeSousa’s OBAMA 2016, denies scientific evidence, established fact, makes fraudulent claims, and is utterly indifferent to the truth. It claims vaccines cause autism and the Festival wants us to think this is a “controversy” rather than a fraud. The Festival has it on its program.
Maybe the FACT of climate warming is a controversy in need of a good forum like Tribeca when the issue is what to do about it.
What to do about this film is to protest, boycott, and warn others. Children’s lives are at stake. The unvaccinated can and do die of preventable diseases and they allow those diseases to persist and spread. The film’s claims are wrong. It’s main “champion” is a doctor who lost his license for his failure to abide by the scientific method and promoted bogus research as true. Tribeca’s failed to do the least bit of fact-checking and seems eager only to draw a crowd, no matter how misguided the message.
This Festival is heading for the recycling center, which is where the wayward and deluded go now that, in this election year, all the handbaskets to hell are overflowing.
Let Tribeca know those of us in documentary film study do NOT support hoaxes, lies and frauds masquerading as “controversy” and exploiting documentary conventions to do it.